DURHAM, N.C. — Dr. Yaba Blay, renowned activist, cultural critic, and producer, launches Professional Black Girl, an original video series created to celebrate everyday Black womanhood, and to smash racist and “respectable” expectations of how they should “behave.”
Seventeen Black women and girls ranging in age from 2- to 52-years-old were interviewed for the series. Each episode features a candid discussion with personalities such as Grammy Award-winning recording artist, Rapsody; Joan Morgan, author of the Hip-Hop feminist classic When Chickenheads Come Home to Roost; and 13-year-old world traveler Nahimana Machen, sharing what it means to be a “Professional Black Girl.”
“‘Professional Black Girl’ looks like Taraji P. Henson at the 2015 Emmys jumping up to hug Viola Davis. It looks like Mary J. Blige and Taraji and Kerry Washington in that Apple commercial. It looks like me rolling up to a room full of people in Berlin to speak with my bamboo earrings on,” explains Tarana Burke, a non-profit consultant and fashion blogger featured in the series.
Limited edition Professional Black Girl merchandise, created in partnership with Philadelphia Printworks, is available now on philadelphiaprintworks.com. The first full episode, featuring Dr. Blay, will air September 9, 2016, with an episode airing each Friday on YouTube and yabablay.com until December 23, 2016.
“The terminology that is often used to describe and define Black girls—such as bad, grown, fast, ghetto, and ratchet—are non-affirming and are words that are intended to kill the joy and magic within all Black girls,” says Dr. Blay. “We are professional code-switchers, hair-flippers, hip-shakers, and go-getters. We hold Ph.Ds and listen to trap music; we twerk and we work. We hold it down while lifting each other up, and we don’t have to justify or explain our reason for being. This is us.”
Follow #ProfessionalBlackGirl across Facebook, Twitter, and Instagram to celebrate and affirm the everyday excellence of Black women and girls.
For more information, or to interview Dr. Yaba Blay, please contact email@example.com.
Last night as I watched Lupita Nyong’o approach the red carpet, her mother, father, and brother in tow, I was enchanted into silence. There she stood – skin black like ours, hair tightly coiled like ours, wearing a headband on her flat top in a ‘Nairobi blue’ gown. In that moment I saw a new image of a princess (however problematic that imagery is in and of itself). Later, I watched through tearful eyes, as that princess’ fairytale, and ours, came true. WE won.
Much conversation today about Lupita’s win, what it means, and what it should mean. Does “Hollywood” finally see us? Will Lupita’s success open the mainstream gates for dark-skinned Black women everywhere? Has the game changed? Interesting and valid questions. My questions, however, continue to be turned inwards, towards the WE who won. Do WE finally see us?
I see Lupita every day. I see her as often on the streets of Philadelphia as I do on the streets of Accra. I see her in my classroom. I see her at the corner store. I see her at the mall. I see her everywhere.
And so do you. Only you don’t know it. If it took the media’s fixation on Lupita’s Otherness to introduce you to the beauty of dark skin, then you don’t know what you’re seeing when you look at dark-skinned women. Or maybe you don’t even see us.
This is a photo of Lupita before she was ours…
Just as stunning then as she is now. If she weren’t the Lupita handed to you by the mainstream, would you still have recognized her for the stunner that she is?
My point is this – we don’t need Hollywood to tell us we’re beautiful. We only need see ourselves differently.
Lupita is beautiful. Lupita BEEN beautiful. And so have we. So, please, next time you see “Lupita,” be sure to remind her that she is pretty. Period.